Run For-Rest, Run
from Concepts, Themes and Experiments by Arafúra
-
Streaming + DownloadIncludes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.Purchasable with gift card
name your price
-
Buy the Full Digital Album
about
Here's an old and crude clip I did exclusively for the sake of experimenting and getting the swells I need just right and huge. I decided to record my amp setup with 2 SM57's and tweak Ableton Live's reverb, since I noticed it had two ways of modulating the tail and the reflections. I started tweaking and eventually found out that these are the reverbs I've been longing for! They do the job extremely well.
For this video I used 1 reverb on both SM57 tracks and made 3 Return patches (which are like FX loops) which all had different reverbs on them. I then mixed in the reverbs so they meshed with the original tail - and voilà, here it is.
Return A was panned hard to the left
Return B was centered
Return C was panned hard to the right
For this clip I only used the modded MXR Dyna Comp '76 Script RI, modded DL-4 (Auto-Volume Echo), Hartman Analog Flanger, Damage Control TimeLine, the DMM and some on-board G-System reverb and delay - the rest is the Ableton Live reverbs.
These are just two guitar parts layered on top of each other, and a low synth (Nanontron, which is actually a Mellotron plugin) through a filter (you can barely hear it, but it's there, underneath it all).
For this video I used 1 reverb on both SM57 tracks and made 3 Return patches (which are like FX loops) which all had different reverbs on them. I then mixed in the reverbs so they meshed with the original tail - and voilà, here it is.
Return A was panned hard to the left
Return B was centered
Return C was panned hard to the right
For this clip I only used the modded MXR Dyna Comp '76 Script RI, modded DL-4 (Auto-Volume Echo), Hartman Analog Flanger, Damage Control TimeLine, the DMM and some on-board G-System reverb and delay - the rest is the Ableton Live reverbs.
These are just two guitar parts layered on top of each other, and a low synth (Nanontron, which is actually a Mellotron plugin) through a filter (you can barely hear it, but it's there, underneath it all).
credits
from Concepts, Themes and Experiments,
released November 11, 2011
license
all rights reserved
tags
about
Arafúra Tilburg, Netherlands
Arafúra is an organic ambient project by Michel de Jong, based in the Netherlands.
discography
-
Oct 2017 -
Oct 2012 -
Apr 2012 -
Dec 2011 -
Apr 2011 -
Nov 2011
contact / help
Arafúra recommends:
-
IZAH is a Sludge / Post-Metal band I'm a part of. A dark and gloomy mix of heavy riffs, downhearted melodics and densely layered sound dynamics.
go to album -
広島／宮島 - Hiroshima/Miyajima
by orbit over lunaShannon Penner is one of the most helpful and kind people I know. With orbit over luna he manages to bring forth a totally unique mixture of Eastern down-tempo atmospheres that are truly enjoyable!
go to album
If you like Arafúra, you may also like:
-
supported by 7 fans who also own “Run For-Rest, Run”
I definitely fell in love with Hammock's music.
go to album -
Migratory Patterns
by Lowercase Noisessupported by 7 fans who also own “Run For-Rest, Run”
“Song for no one” has become a beacon for me throughout the years, guiding me back home to myself. There is a gentle and loving magic in this track.
go to album -
Spanish experimental composer Pepo Galán and Australian dream pop musician Karen Vogt find freedom in collaborative ambient weightlessness.
go to album -
The music on “Costero” is slow and tender, soft twinkles of piano wreathed by gentle strings.
go to album
